Intense Records

Into Oblivion (Tour Edition) (Ltd. Neon orange/Black Splatter VInyl LP)

Pre-order - Friday 31st July 2026

£24.99 (£29.99 incl. VAT)

LAMB OF GODs tenth album, Into Oblivion, sees them embracing their position as music veterans: Beholden to no one, with nothing to prove. As such, Into Oblivion is an album that simultaneously references LOGs roots, doubles down on their signature groove, and explores new sonic territory. Ask vocalist Randy Blythe why the band decided to call their tenth album Into Oblivion, and he doesnt mince words: Because thats where were heading, he says. In general, the album is about the ongoing and rapid breakdown of the social contract, particularly here in America. Things are acceptable now that wouldve horrified people just 20 years ago. Blythe also explores underlying factors of personal accountability. People's increasing inability to accept uncertainty within their own lives has led them to look for someone to tell them, Everything's going to be okay as long as you believe in me. I have all the answers. I alone can fix it, Blythe says. There's this willing relinquishing of agency and of responsibility.

Produced by the bands longtime collaborator Josh Wilbur, Into Oblivion was recorded at three different studios across the country. The drums were tracked at The Bakery in Richmond. The guitars and bass were tracked at Mark Mortons (guitar) home studio in Virginia. The vocals were recorded at Total Access, the legendary studio in Redondo Beach, California, that birthed Black Flags My War and seminal records from Husker Du, Descendants and Saint Vitus. When I walked in there, I immediately felt at home because I felt that punk rock history, which is the world I come from, Blythe enthuses.

In the end, all these factorsthe music, the recording, the lyrical themes, and the bands own creative goalscoalesced into what you hear on Into Oblivion