Reggae

Shalom Dub

Jamaican Recordings
JRCD038
Dubstep, Reggae
CD

Back order

£10.83 (£12.99 incl. VAT)


Tracklisting

1. NATTY DUB

2. LEES DUB

3. WONDER WHY DUB

4. IM GONE DUB

5. COUNTRY BOY DUB

6. TRUE BELIEVER DUB

7. CARE FREE DUB

8. RASTA TRAIN DUB

9. MOVE OUT OF BABYLON DUB

10. GIVE A LITTLE MAN A GREAT BIG HAND DUB

11. FEEL SO GOOD DUB

12. FOR THE REST OF MY LIFE DUB

13. WHEN WILL I FIND MY WAY DUB

14. IM LEAVING DUB

15. FEEL LOST DUB

16. DAWN DUB

17. DONT CUT OFF YOUR DUB*

18. A ROUGHER VERSION*

Tracks 1 - 16 Original 1975 Release *CD Bonus Tracks

Tubby did three original dubalbums, Dub From The Roots. TheRoots of Dub and the third is Brass Rockers with Tommy McCook pon the flying cymbals. Where he mixed it with the horn going in and out in a dub way and one named Shalom Dub you can call Tubbys too because he mixed the versions as they were off forty fives

Bunny Striker Lee

King Tubby and Producer Bunny Striker Lee are intertwined in the birth of Dub Music. After discovering a mistake that made a serious joke ( more of which later...) they went on to release the first pressings of this new musical genre namely Dub Music. Tubbys vast knowledge of electronics and Bunnys vast catalogue of rhythms would lay the foundations of what today is taken as a standard... the Remix / Version cuts to an existing vocal tune.

Osbourne King Tubby Ruddock was born in Kingston, Jamaica on 28th January 1941 and grew up in the High Holborn Street area of downtown Kingston. He studied electronics at Kingstons National Technical College and also on two correspondence courses from the U.S.A... When he had qualified Tubby began repairing radios and other electrical appliances in a shack in the back yard of his mothers home. His work in the early days included winding transformers and building amplifiers for Kingstons Sound Systems. Tubby built his first Sound System in 1957 playing jazz and Rhythm & Blues at local weddings and birthday parties. His reputation as a man who knew and understood both electronics and music grew steadily and as the sixties drew to a close. Tubby purchased his own basic two track equipment. He installed this alongside his dub cutting machine, a home made mixing console and his impressive collection of Jazz albums in the back bedroom of his home at 18 Dromilly Avenue which he christened his music room.

Tubby and Striker were at Treasure Isle Studios one day while Ruddy from Spanish Town was working with the engineer Byron Smith....

Tubby and myself was talking when Ruddy was cutting some dub but Smithy (engineer) made a mistake through we were talking and forgot to put in the voice. It was two track recording in those days. Ruddy said No Man! Make it stay! and so they cut the rhythm. When I went over to Ruddys that Saturday night a dance was in progress and when they played the vocal to the tune... then he said were going to play Part Two. They never called it Version..and then he played the rhythm track. The song was a catchy song and everybody started to sing along and the deejay started to toast so everything went down well. On Monday morning I went up and I said Tubbs the mistake we made was a serious joke.It mash up Spanish Town! The people went wild. So you have to start to do that now cause when the man put on the Part Two everyone start singing this song. It played about twenty times. I said you try Tubbs!...Well the next Saturday night now when Tubby strung up down the farm U Roy said hes going to play Part Two but Tubby did it different now. He started with the voice then dropped it out and let the rhythm run and then he brought in the voice in the middle and from there Tubby started to get really popular.

Bunny Striker Lee

Dynamic Sounds upgraded to sixteen track recording in 1972 and Tubby purchased, again with the help of a deal brokered by Bunny Lee. The old four track equipment and the MCI console from their Studio B. The four tracks now gave him far wider scope to work with and he began to create a new musical form where the bass and drum parts were brought up while the faders allowed Tubby to ease the vocal and rhythm in and out of the mix. It was only a matter of time before Tubbys dub plate experiments began to make it on to vinyl and the first ever long playing King Tubby releases would feature a collection of his mixes to a selection of Strikers rhythms. So please sit back and enjoy this historic set of sounds. Lovingly restored and with a few extra gems added to the CD Editions. These releases were the first to carry the name of King Tubby and the first to credit the great musicians that contributed so much to the rhythms that made these albums possible.



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